There are images throughout the film that portray the transformation a character goes through very well without being preachy or pedantic.
The Malayalam film is shot in a single room, covering a court martial in progress.
Indrajith hogs the limelight in this Malayalam venture.
We've seen Mammootty's latest film many times before in Malayalam cinema.
The film jolts you and keeps you riveted to the screen.
make Shikkar is a mass-entertainer plus an artistic merit film, but fails to impress.
The film's premise does not inspire confidence and even the humour does not have the requisite fizz.
The narrative has a humorous streak throughout.
The Malayalam movie has a lot of promise but fizzles out in the end.
Lenin Rajendran's Makara Manju is watchable but you have to brush up your knowledge of mythology and history to fully appreciate it.
For all its novelty of having four female leads, the Malayalam movie leaves much to be desired.
Sakudumbam Shyamala tries to cash in on Urvashi's comic image but becomes repetitive and boring.
It takes a while to connect the dots in this youth-centric film.
The film does not make any sense if you want to take something back from it.
Prithviraj's gift to his fans this festive season is disappointing.
The directorial debut of Siddharath Bharathan is a remake of his father Bharathan's film of the same name made three decade ago
Don't expect too much from this Malayalam film and you might just enjoy it.
The film talks about the trauma of a rape victim and the pain her loved ones suffer due to this.
On the surface this film looks like a frame to frame copy of Nadodigal. But it still works though it is difficult to pinpoint the reason why.
The much awaited second film of director Ranjith Sankar shows that he has the staying power.
The film talks about small men dreaming big but doesn't fails to pull off the story.
Manushya Mrugam, is dominated by Babu Raj but is an average film with plenty of lecherous characters.
Samir Thahir's directorial debut with Vineeth Sreenivasan and Fahadh Faasil in the lead leaves us with a feeling that it could have been better.
The film has outdated theme of the abuse of the internet and the disadvantages of an urban lifestyle.
The movie deserves every accolade that has come its way.
Dileep, Kavya Madhavan and Manoj K. Jayan in the lead, try to fit in too much, leaving viewers confused.
The film may still pull in crowd because of publicity.
The film feels like a replay of the 'Best of Priyadarshan' from his earlier film.
T V Chandran tries unsuccessfully to make a funny ghost story.
There confusion galore in this Malayalam movie.
The film ends up being a cross between a spoof and a mimicry show.
Janapriyan is a social drama peppered with humour but it is not as endearingly as it had promised to be.
Director Vinayan's latest offering pulls Malayalam cinema to a new low.
Oridathuoru Postmam, directed by Shaji Azeez with Kunchako Boban in the lead and Innocent in the title role, is yet another film on the father-son relationship. Wish it had kept things simple.
The film fails to connect with the audience.
The Malayalam film does not deserve to be called a Meera Jasmine film.
The plot takes a backseat as soon as the stars make entry.
Director Ranjith gives his best in Pranchiyettan and the Saint.
Sathyan Anthikad mixes his recent successful films to make Snehaveedu
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